Professor Oliver Moriarty or Pusskin for short

Basement Stories

“All of your music reminds me of my wife.

I always watch the support acts at gigs. You never know when you will discover something awesome. I first heard your aamusic when you were on tour with Ginger Wildheart in 2018. My mind was blown and I became an instant fan. I plundered the merch stand for CDs and listened to them constantly.

Sarah very quickly noticed that I wasn’t listening to progressive death metal for a change, and she immediately fell in love with your music too. She knew all the lyrics and would sing along to all your tunes. We got married that year.

In 2019 we made it along to one of the last She Makes War gigs in Totton, and we chatted with you briefly afterwards. Sarah went all fangirl and soppy and it was super cute.

Then lockdown happened. But Penfriend happened too. Whenever there was an online gig we would make it a proper date night. We are fans of pretty different artists and bands, but we both totally connected with your music.

Two years ago, the world lost Sarah. “Paper Thin” played for her when we said goodbye.

There is no doubt your music is a major part of the soundtrack of our time together. And I feel the connection with Sarah especially deeply when I listen to your music.

We never managed to have children, and the cats are our babies. Hence Oliver the giant orange Pusskin.

I hope our story resonates with you enough to make it into the artwork. It would mean so much to us and I am sat here with tears in my eyes imagining her face if you said yes to this.”

Matt Gregory


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Chemotherapy Infusion Pump Machine

Basement Stories

“In June 2021 my cancer decided it was fed up with waiting.

I’d been living with a diagnosis of an incurable Lymphoma since 2015, and it abruptly jumped to stage 4. I was due to start Chemotherapy on the 30th June, where I was to have a PET-CT scan in the morning and begin Chemo in the afternoon.

Whilst waiting for the injection of tracer chemicals to whizz around my body prior to the scan, I received a loud knocking on the door from a nurse, who waved to me to come to the door.

This was in a mobile scanner in the car park of the hospital – stylish! – but the real problem was that the tracer fluid has a half life of 60 minutes. During that time you have to sit completely still: no phone scrolling, no talking and definitely no moving. I could only sit there like a mannequin. I certainly couldn’t go to the door.

Eventually one of the scanner technicians came into the waiting area and passed me a note, which simply said “Dear Mr Page, the director of the Montefiore Hospital (Hove) has banned you from re-entering the hospital due to the fact that you will be radioactive for 6 hours, therefore your treatment has been cancelled, kind regards The Chemo Ward Team”.

After the scan was completed, I was effectively booted out onto the street. I rang my Oncologist to enquire “what the hell is going on?”

It was 12pm. My partner wasn’t due to pick me up til 5.15pm. I had no coat – why would I need one? I thought I was going to be in a hospital all day.

I sat in the local park across from the hospital, thinking my life surely couldn’t get any worse. The phone rang. My Oncologist confirmed I had been banned from the hospital and my treatment was rearranged for the next day.

It started raining. I couldn’t enter the hospital to seek shelter, so I clung to a big tree with a dense enough canopy to keep me semi-dry. I prayed that there wouldn’t be any lightning!

I opened Spotify on my phone and clicked on my curated “Pandora’s Box” playlist. I heard the words “Hello Darkness, my old friend, I’ve come to talk with you again”. I thought to myself “Well, the Devil obviously doesn’t have anything else to do today other than f**k me off!”.

D:REAM once sang about how “Things Can Only Get Better”. Yeah right – dream on! That night around 9pm, while I was getting my stuff ready for the next day’s treatment, my phone pinged with a sound I’d never heard before. It was a message from the NHS Track and Trace app, notifying me that I’d been in contact with someone who had tested positive for Covid, and that I was instructed to isolate for nine days.

“How did the Devil have my number?” I wondered. Then, “Why, when I was having my bloods taken, did the receptionist suddenly get up and walk out of the hospital without saying a word?”. Then, “What the hell does isolate mean, and will it affect my treatment tomorrow?!”.

I rang my Oncologist again. He confirmed I would be on the hospital’s banned list and wouldn’t be allowed to enter.

I could hear Simon & Garfunkel tuning up.

The next morning, my Oncologist escalated my case to the medical board. They reviewed my blood results and PET-CT scan, and told the hospital that I would not survive another nine days. They said Chemotherapy treatment MUST and WILL start today. The hospital was instructed to make a RED ROUTE available upon my arrival: a route through the hospital where I wouldn’t come into contact with anyone in case I had Covid.

I was told to meet someone at the rear entrance door of the hospital. I wondered how I would know who it was when I got there, but when I arrived a young girl from

the Pharmacy dept was waiting by the back door in a bright yellow Hazmat suit. I walked and she awkwardly waddled through tiny corridors and small rooms

until we got to the ward, which was located in the basement of the hospital – probably closer to the mortuary! After completing my Covid test (which was negative) I was finally assigned to my cubicle.

Now to the relevance of how Penfriend entered my life.

Being located in the basement, the Oncology ward is unable to get a mobile phone signal, but they did have a guest wifi system I could join. I was told it was a bit hit and miss as to whether it worked or not.

It was July 2021, and Covid was still very problematic, so the hospital had a strict policy that you weren’t allowed any friends or family to sit with you during the treatment. I had to go through the entire process on my own. To be frank, I was bricking it, and you couldn’t even get a reassuring smile from a nurse because they were all wearing masks.

I had my pre-meds and then was fitted with a cannula in my arm, so that the Chemotherapy Infusion Pump machine could be connected. It’s at times like that the concept of mortality really sinks in.

“Try and relax”, they said, so I thought I’d try and connect to the wifi. Obviously the Devil was on his tea break, as I managed to connect. I thought I’d listen to some music on Spotify, so I clicked on my “Pandora’s Box” playlist and prayed that Simon & Garfunkel were on tour in someone else’s nightmare. Thankfully they were.

The music started. The first random song to play was Morrissey’s “First of the Gang to Die”. A bit menacing, but nevertheless a good tune. That was followed by AC/DC’s “Highway to Hell”. At this point, I was convinced I was starring in the next Final Destination movie. Music wasn’t having the calming influence I’d hoped for.

I turned it off and opened the Facebook app. Scrolling mindlessly (as you do), I saw an advert for something called “Exotic Monsters” which, if I remember correctly, had a beady monster eye looking out from below some guitar strings. It was by an artist called Penfriend.

“Who? Never heard of them.” BUT I was intrigued. Was it on Spotify? I did a search – there it was. When I come across an unknown album I normally pick a song at random to see if it resonates with me, and then either move on or
jump down the rabbit hole.

The song I picked – completely randomly – was “Black Car”.

“Remember the summer when everyone stayed at home” … WTF? Yes I do remember, being in the “Extremely Critically Vulnerable Persons” group, not only did I have to stay at home but I was told by the Government that I wasn’t allowed to leave my flat, not even for exercise.

As the song played out, I got to the verse regarding “the worst of days” and “machines taking over our minds”. WOW !!! The worst of Days [tick] Being connected to a machine [tick].

Literally, as the song ended the nurse walked in with the first of the Chemo drugs. Now I’m not into astrology, but was it fate or coincidence that led me to that song, on that album, at that exact point in time in the universe? Who knows, but one thing I do know is that my life has been enriched by it.

There was only one thing to do, and that was to jump into the rabbit hole. “Exotic Monsters” and several of the She Makes War albums got me through Chemotherapy that day – a debt that I cannot repay.

Keep your loved ones close xx”

Dean Page


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Paperweight of Love

Basement Stories

“My object is a glass paperweight; a clear glass sphere about 2 inches high and round, encasing a blown-glass flower of long slender petals, alternating shades of light and dark blue, with a clear bubble at the centre (as if the flower bud) and a halo of much smaller glass bubbles (as if the floating pollen drifting up and away).

This is the very first gift and love token that I bought Bev, my then girlfriend, now wife of 30 years.

This paperweight has travelled with us to all the flats, houses – and a canal boat – that we have shared, rented, owned and lived in, in the west and east of England, accompanying us throughout the lives of our two sons, now in their early twenties.

It has been displayed in all those homes on shelves, mantels and sideboards, and now resides on a shelf in a heart-shaped unit on our lounge wall, among many other meaningful objects and photos we have gathered along those years.

My bid matches for each of us the number of years this has been in our lives, this object spied in a small art and gift shop in Bishopston, Bristol, in the summer of 1991 by a young man very much in love with a young woman.”

Matt Ilett


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Right Mastectomy T-Shirt

Basement Stories

“I decided early on in my cancer journey not to have reconstructive surgery.

I knew that my goal was to be in hospital for as little time as possible, and for recovery to be straightforward. My priority was to be at home, as carer and home- educating Mum to Ramona.

I did my research and found that there are many women who “go flat” after bilateral and unilateral mastectomies; I even found an online support group called “Flat Friends”. I also discovered that many women get tattoos over the area to reclaim their body from cancer.

Yes, I thought – that’s me.

It didn’t take me long to figure out that I probably didn’t want to wear a prosthesis either, or a “foob” as it’s known in the breast cancer world. I had been automatically booked in for an appointment to get fitted for a prosthesis, so I decided to go anyway and, quite literally, try it on for size.

The prosthetic technician eyed me up and guessed my bra size instantly – very impressive! She found the correct size prosthesis and I tried it on.

I cannot recall this next moment without a shiver running through my whole body: I looked in the mirror and saw that I looked just like me. Well, “before” me.

“There you go, you look great – you’ve got a cleavage again” said the technician.

In this moment I felt a wave of dysphoria unlike anything I have ever felt before. She meant well, I’m sure, but I was hearing that a woman is only a woman when she has two lumps of flesh pushed together pleasingly for all to observe.

“What kind of patriarchal bullshit is this?!” I thought. I reached down, pulled out the foob and lobbed it across the room.

I took a moment to compose myself.

“No, no I don’t have a cleavage. I have one breast. I won’t be needing this – thank you” I said calmly.

The technician said she was sorry to offend me, but not everyone was as “okay about it” as I am.

As I explained it to her, it’s not that going through this has been a breeze – far from it. My body has been through hell, but it felt that by wearing the prosthesis I would be expressing that my previous body shape was superior. That felt shameful. I knew I wanted to embody my body and love it fiercely, not hide it away.

This is not everyone’s decision, and it’s a highly personal one to make. My Mum Vina had a mastectomy in later life, and she doesn’t feel complete until she puts her squishy foob in every day. In fact, Mum was at the appointment with me and I was allowed to give the gift of a brand new foob to her instead.

My other Mum Jo (my Mum in-law) got me a t-shirt with a right mastectomy print to wear with pride. It shows a scar on one side, and a boob on the other. When I wear it, I get knowing looks (mainly from women), massive smiles, hugs (!) and, a couple of times, tears.”

SJ


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Plastic Elephant

Basement Stories

“The object we’re offering for your basement is a small plastic elephant. We both have one, and they’re just over 3cm from trunk to tail.

These elephants came into our lives on Friday 3rd April 2010. We were queueing for a gig at Bush Hall in London when a man dressed in 18th century costume walked up and offered each of us an elephant from a metal box. He told us there were a few elephant-elephants in there, and if we were lucky we might get one. We found this comment utterly baffling, but he seemed friendly – and harmless. So, like many others in the queue, we both took an elephant.

Part-way through the gig, we discovered what an elephant-elephant actually was, and realised that neither of us had got one. For a complete understanding, you really need to listen to the album “Evelyn Evelyn” by Evelyn Evelyn.

The album is wonderful, pretty dark and completely bonkers but we hadn’t heard any of it before the gig. “Evelyn Evelyn” were actually Amanda Palmer and Jason Webley wearing one large dress, playing the part of conjoined twin sisters. The album tells their extraordinary (fictional) life story. At one point the twin sisters ended up in a circus with Bimba and Kimba, the world’s only known conjoined twin elephants, sitting on their backs and playing their ukulele to the adoring crowds. Bimba and Kimba were affectionately referred to as Elephant Elephant. So, at last, that mystery was solved!

It turned out that the “giver of elephants”, Robin, was involved in the performance, helping to tell the story of Evelyn Evelyn between songs.

A few days before the gig, an Icelandic volcano called Eyjafjallajökull had erupted, disrupting flights all over Europe. As a result, Evelyn Evelyn’s support band were stranded with no hope of reaching London, so an enterprising duo named Bitter Ruin offered their services as a replacement. We were so impressed by their performance that we decided we definitely wanted to see them again.

We started going to see Bitter Ruin whenever we could, and they completely transformed our gig-going habits. Up until that point we’d tended to go to medium or large venues, and didn’t go to gigs very often. Bitter Ruin played a lot of small venues, in fact sometimes they weren’t really venues at all. We even saw one gig on a rooftop in Hackney! We got used to seeing them every few weeks – once on two consecutive nights.

Through their clever use of social media, they built their fanbase into more of a community and kept us engaged. When they decided to crowdfund their next album, we decided to contribute. As part of the crowdfunder they decided to do a house gig. We weren’t in a

position to host it, but fortunately the couple who did were within easy travelling distance, so we were able to go.

It was a magical gig, wonderfully hosted by Mike and Sue. Bitter Ruin clearly wanted to do something a bit special for us, so they came up with a novel approach for deciding which songs to play and in what order. It was called “Pin the tail on the Setlist”.

They’d written the names of their songs on a large sheet of paper, and before each song was played, it had to be chosen. A member of the audience was blindfolded and had to select the song by pinning a marker to it, guided by the audience shouting “left a bit”, “down a bit” and so on. Then, after all the music, we had the joy of Sue’s amazing cooking.

It turned out that Mike and Sue hosted regular house gigs, and we started to go to them. We began to make friends with them and the regular attendees (including Robin, giver of elephants) – and there was always Sue’s cooking to look forward to. Through these house gigs we discovered some wonderful performers, including Gabby Young, Eliza Rickman and, of course, She Makes War.

A month after we saw Gabby Young’s band at Mike and Sue’s, we went to see them at one of the Royal Albert Hall’s smaller performance spaces. As we were going in we passed Gabby’s violinist, Millie, who recognised us and said hello. We reckoned that would be the only occasion in our lives when we would walk into the Royal Albert Hall and be recognised by one of the performers we were about to see. So far, we’ve been right!

A few years ago we went to one of Robin’s birthday parties. At one point the conversation turned to the topic of how people met Robin. Quite a few people answered “I was queuing for Evelyn Evelyn and he gave me an elephant”.

Through following musicians we discovered at Mike and Sue’s, we’ve discovered other bands that we now love. We’ve been to various gigs where if it hadn’t been for the eruption of an Icelandic volcano, enabling Bitter Ruin to support Evelyn Evelyn, we wouldn’t have been there.

Things moved on: Bitter Ruin split up in 2014. Covid came. We stopped going to gigs. However, the music continued. We started going to online gigs instead, including Laura’s Penfriend gigs. Now it feels as if we’re at the start of a new chapter. We’ve gently started going to real life gigs again, and Bitter Ruin have reunited and recorded a new album which we’re eagerly waiting to hear.

And of course, there’s the excitement of the new Penfriend album, “House of Stories”.

Through all this, our little elephant has stood beside our computer (the other little elephant is “somewhere safe” – i.e. we’re not sure where). It stands there as a reminder of music, musical exploration and discovery, and making new friends.”

Chris and Fiona


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1960’s Transistor Radio

Basement Stories


“Throughout most of my life, two things have been consistent: music and sport. They can both be traced back to a transistor radio on a windowsill.

In the mid-1960’s we lived in the west of Ireland. We had no TV but we did have a radio. Although a lot of Irish music was played (i.e. The Dubliners), I have a distinct memory of hearing Tom Jones’ “The Green, Green Grass of Home” and Englebert Humperdink’s “Please Release Me”.

The radio was how I listened to music in the late 60’s and early 70’s, particularly enjoying the weekly Top 20 chart countdown. Highlights were Bowie, T Rex, Slade, and Motown – how different and colourful those worlds seemed compared to the drab East Midlands.

Music has remained in my life ever since, dubious choices and all.

My other lifelong love is sport. I didn’t come from a sporty family, but I started to take an interest in football in 1968. We’d had been in England for over a year.

One day I came home from school and turned on the TV to watch Blue Peter, but all I could see was people running in a stadium. I had no idea what was going on! I turned the TV off and went away disappointed.

Later I realised I had switched off the Olympics in Mexico City, but at the time I just didn’t understand why Blue Peter and the Magic Roundabout weren’t on telly.

Soon after, I was listening to the radio alone on a Sunday afternoon. The signal was very poor, but I could tell something was going on in Mexico City. A lot of fellas with names I’d never heard before were running in the streets. Even though I didn’t know what was happening, something stirred within me.

It turns out I was hearing Mamo Wolde winning the Olympic marathon. I was barely aware of his country, Ethiopia, at the time, but the radio opened the door to another world. I’ll never forget the feeling of listening to all that noise and excitement from so far away.

18 months later I went to secondary school, and that memory stuck with me. I must have been the only kid looking forward to cross country! I wasn’t particularly good but I did run throughout school, started orienteering and then fell running, and kept it up until my mid 30’s when injuries stopped me in my tracks. I turned to cycling after that, and have ridden across many countries including the USA and New Zealand plus others closer to home – including Ireland.

Running, cycling and music have given me so much joy in my life, all inspired by the grainy sound from a transistor radio on a windowsill in late 1968.”

KC


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Progress Pride Flag

Basement Stories

“When I was young I always felt different.

I was a quiet child. I got involved in a few things but never felt I really ‘fitted’. We moved around a few times, largely due to my Dad, and housing was an issue a couple of times. We spent a couple of months in emergency housing in a hotel, and then we were housed in a terrace: a two up two down for a family of four.

Four soon became three when Dad left, then we were rehoused in a decent house. My Mum still lives there 45+ years later!

I realised through this experience that my four walls were me. My difference was being trans, so the walls were my own body. However I tried to mould myself and conform to expectations, that wasn’t going away.

I was 33 when I “came out”, and that helped.

12 years later, in 2010, I realised the person I saw in the mirror wasn’t me anymore. The woman inside was looking out of the windows of a prison, through the eyes of a body that was wrong. I had to change.

I started that journey in 2011, and physically achieved balance in 2013. Fast forward to 2025 and I’m now happily married. The four walls around me are now spiritually, emotionally and physically home, and you have helped through that journey.

To me, “Stargazing” is a way of imagining what might be. I spent so long dreaming of how things might be in the future. I reached for those stars and arrived in a world that, while not perfect, is far far better than I hoped for in the past. Your music has followed me on the journey for some of the way, since I first heard “Paper Thin” in 2016.

The progress pride flag represents my story and all the people who are trapped either in their own internal four walls, their own space or the so called “closet”, unable or not allowed to be their true selves.

The four walls that people have to build around themselves can be really oppressive and lead to far more LGBT+ people having mental health issues. My own were really quite dark until the start of my journey out towards a lighter place.

Some don’t make the journey.”

Julia Georgiou


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Imogen’s Paper Flower

Basement Stories

“My object is a paper flower my daughter made me in Year 3 at school.

I attached the flower to the rear view mirror in my car, partly so I had a safe place for it and partly so I could look at it and think of her. It always makes me smile.

Over time it has taken on more meaning.

A few years ago, pre-Covid, I was under a lot of stress at work, and I broke.

I spent a lot of time at my desk planning routes to the upper floors. I observed how easy it would be to get up there without anyone seeing me. I never planned the route back down.

I wasn’t in a great place. My family were supportive, but the one thing that grounded me through that period was this paper flower hanging from my rear view mirror. It was a constant reminder of my daughter’s love for me, and my love for her and my family. That’s what stopped me from leaving them behind.

Thanks to the paper flower, I started taking antidepressants, changed jobs and found a better balance in my life.

It might seem odd that something so simple could be so important to me, but every day it reminds me of what I still have. It reminds me to be grateful for so much.”

JR


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Gil’s Racing Helmet

Basement Stories

“When he was born, Gillen spent a month in Great Ormond Street with a heart condition called TGA (transposition of the great arteries). Essentially your two main arteries are the wrong way round, meaning that the oxygenated blood is not circulated to your body. Only a couple of additional holes in his heart kept him alive.

When he was nine days old I carried him down to theatre for open heart surgery. Handing him over to the surgeons was the most awful thing I’ve ever done.

We were told Gil may not survive, and we didn’t know if he would have any limitations in the future, so each day is a blessing.

Despite that scary start to life, he has gone on to be the most amazing person. Aside from his collection of scars and a tendency to go a bit blue in the cold, you’d never know what he went through. We’ve always treated him as we would any child, but it’s always in the back of our minds that nothing can be taken for granted.

Gil has always been massively into cars and always wanted to race. He’s now nine, and regularly wins local races. When he entered a National Championship recently we warned him it would be a lot harder, and he was not to worry if he finished last.

He came third.

It’s incredible, if terrifying, to watch Gil race – and he certainly doesn’t get his driving ability from me! We’re so proud of him.

I can’t begin to tell you how much we love him. One of my favourite quotes is from John Candy in “Planes,Trains and Automobiles”:

“Love is not a big enough word.”

Gil helped design his own racing helmet with a heart as part of his logo, so I thought it would be great to get it in the House Of Stories.”

Martin Townshend


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Andre’s Trombone

Basement Stories

“When I was in my early teens I was part of a Mediaeval Re-enactment Society in my hometown of Sheffield.

Formed in 1973 by my parents and three or four other families all connected with the Police force, they named it Escafeld, the old name for Sheffield, and the group is still going strong today. In the early days they were trying to grow it, so I asked my best friend from school if he would join. We were both 13.

At the time my friend’s hobby was playing in the local brass band, which had reformed in the late 1960s and were also looking for new players. We struck a bargain: he joined Escafeld and I joined the brass band. I started out on Tenor Horn, but ended up on trombone after a suggestion by the conductor.

When we were around 20 years old, my friend and I both quit Escafeld. I moved away for work, and my friend had become a knight and was fed up of getting hit on the head with swords. We both carried on playing in (different) brass bands, and I kept going despite moving around for work until I was 32. At that point we had our two daughters and moved to Leeds, where I still live, and I stopped playing. Largely because of the children, but also because I fell out of the habit.

My best friend who started me off happened to live close by us in Leeds, and he and his wife played in a local band. We also had children who were almost the same age. When their daughter decided to learn to play, and joined the youth band connected to her parents band, my youngest daughter decided to learn as well. They were both around 13 at the time. I decided to help out by playing with the youth band, and dusted off the trombone after 14 years of inactivity.

My friend’s daughter gave up after about a year, but by then my daughter was committed to carry on because she had chosen to do music for her GCSE’s, and had moved to a bigger youth band a few miles away. I followed her, playing in the same youth band and helping them, eventually joining the senior band 20 years ago. I am still playing and enjoying it to this day.

My favourite times are taking part in the national contests. Briefly, banding is divided into five sections by ability and there are annual contests between bands in the same section and geographical area. The winners get to play against the same level bands from each of the nine areas around the UK. There is also promotion/relegation between sections in each area, so it’s similar to football but at a local level.

Over the 59 years since I started playing, bands I have been part of have managed to win through to the finals seven times.

On a less positive note, my most memorable moment was accidentally re-enacting a famous scene from the film “Brassed Off”. If you haven’t seen it I recommend you watch it.

“Brassed Off” is a powerful history of life in the ‘80s for people in the mining industry, following a brass band and its struggles to survive when the local pit closes down. In one scene the band is on a march, and the main trombonist drops his slide while playing. He is seen scrambling around trying to pick it up as the band plays and marches on.

I did the same on a march once, and it was highly embarrassing.”

Andre Hill


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