Four weeks from today I am releasing my sixth solo album “House Of Stories”: my celebration of age, experience and (hopefully) wisdom.
Helping me face up to ghosts from my past, the new songs are for anyone who’s felt trapped in the wrong four walls – literal or metaphorical, caused by others or self-imposed.
My musician pal Charley Stone1 visited the Launchpad a few weeks ago to help me create a full-length album video and audio podumentary. Among her insightful comments and questions she described some of the tracks on “House Of Stories” as “soothing”, which I took as a great compliment.
I will never pretend everything’s okay in my songs, but the more music I make the more I want to leave you feeling hopeful and included. I love creating experiences within, around and leading up to my music releases (hence these posts), and I’ll always keep inviting you to get as involved as you want to.
Speaking of which…
Last year I shared a video where I decided to think Very Big Indeed2, declaring that in the year 2027 I will be headlining Shepherd’s Bush Empire.
Titled “It’s time to set some ridiculous goals”, I made it to choose optimism over pessimism, to dream big instead of opting for pragmatism all the time. Not sitting back and wishing for things to happen to me, but directing my efforts in exciting directions that seem out of reach, so I can work very hard to try and get there.
In the comments, Correspondent’s Club member David told me about a fellow musician called John Otway3.
“The list of things he’s made happen in his career, by pretty much just saying he’d do it, is clear evidence you can make amazing things happen.”
I was excited. I devoured everything I could find online about John, watched his Netflix film, ordered both of his books (and immediately read them both) and even sent him a friendly email to say thank you for the inspiration.
And so it’s John Otway’s (and David’s) fault that I’m gearing up to unveil the most outlandish plan I’ve cooked up so far in my 28 years of making music.
I’ll tell you more next Friday.
To tide you over…I made a rare appearance on a music podcast! Thanks to sharing my music and writing on Substack, I made contact with Tim and Chris at New Sounds Union, who asked brilliant questions and made me feel right at home (I find these things nerve-racking when I’m not doing the editing).
Titled “How an independent artist tops the charts”,my episode is available here. I talk about how 10 years in the school orchestra led me towards arranging and producing my own songs, why I think doing stuff and keeping going is most important and how amazing music fans are (thank you).
Back at Penfriend HQ, the HOS goodies are starting to arrive – I love this part of releasing albums!
** VINYLLLLLL **
The four publicly available vinyl colours are looking absolutely stunning!
** CLOTHING **
The sample tees and hoodies were printed this week by local Notts printer Phil at Whitewater Design & Print and I’m just glad I don’t have to choose between them…thanks to Jessica Wild and Daniel Catt for the beautiful designs!
I won’t be printing many more tees / hoodies than have been ordered by the end of next weekend, so make sure you secure your size ASAP (XS-4XL available).
** KiT Hybrid Digital Format**
The KiT samples arrived from Seoul this week, coinciding with a mention of “House Of Stories” in Music Week!
It’s true, HOS will be the first completely independently released chart-reporting KiT album in the UK…very exciting.
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
Ten days ago I wrote 1,208 rather self-pitying words about my situation as an independent musician. I was tired, perhaps a little burned out, and feeling overwhelmed by the big structures making everything so much more difficult every time I do this (the existence of streaming, rising costs of producing physical goods etc etc blah blah blah).
To be fair to me, I was waking up every day at 6.30am with a clench in my stomach, thoughts racing. I’d lie there and decide right away the day ahead was absolutely impossible. I could only fail, so what was the point in trying to get through my To Do list?
I’d close my eyes and hope for sleep to return, waking late and annoyed with myself for missing the gym – again.
Luckily for me – and for you – this meant I didn’t have the time or energy to return to those words, shape them into something more coherent and share them with you. A week later I scanned through them and realised they were working-out-words, not words to be read by others, and I blushed a little at the self-indulgence of considering publishing them in the first place.
This year I’ve tried to get into a regular practice of writing more not necessarily to share more writing, but to do more thinking.
Writing is how I figure stuff out, which means there are no wasted words, but when I see those words piling up in my Scrivener sidebar a part of me (the part that also panics about money all the time) wants to make the most of them, because writing is also how I intrigue, tempt and persuade people to listen to the music I make.
Creating albums is my main thing, but if I hadn’t worked writing into the heart of it all I wouldn’t be making such a go of it, I’m sure.
As someone who appreciates honesty on the internet, I don’t want to hide my tough times under a fake sheen. I’ve always made a point of sharing my process as a self-taught music / video / audio producer, because I want others to see an example of the possibilities available if they put the time and effort into the thing they really want to do.
I don’t believe in only sharing happy days and successes, because it paints a warped picture of things, but I decided long ago that it’s important to me to bring optimism to the online spaces I spend time in. And when I’m writing to supportive music fans, busy with their own trials and tribulations, health issues, financial struggles and all the rest, why on earth would I want to complain directly to them about how hard it is for me sometimes?
At the start of this year I decided to try out this “word of the year” thing I’ve seen people talking about. The first word that came to mind is “gratitude”, and the moment it flashed up in my brain hole I experienced the resistance my 20’s and probably 30’s self would have felt if someone had suggested it.
“Urgh gross what?”
I took that as a sign to face up to my discomfort, and to use this word to try and reframe my world. It’s been very helpful so far.
My feelings do matter – as do yours – but whatever I’m going through I am healthy, I am well and I am living my absolute dream of creating whatever the hell music I want and figuring out ways to send it out into the world to find the people who will love it the most.
Feeling the feelings and writing the writing are essential tasks on my busy To Do list, of course, but sometimes it’s better wait and make sure I’m showing up with something interesting / useful / not too whiny.
I am free, I am grateful, and I can write overly long sentences whenever I like.
Thank you for reading – I’m grateful for you, too.
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
A song for the introverts, for the bruised hearts, for the blushing ones fed up with holding it all inside.
Sometimes the past won’t let us go, but if we turn and face it, we can take action to dull the blows. We can heal ourselves.
This is a call to tell our stories – to ourselves and others. Our voices matter.
I wrote this song in one day in October 2023. Sometimes a song falls from the sky, and my job is to catch hold of it and nurture it.
This song helped heal me. Now it’s yours.
THANK YOU.
VIDEO CREDITS Directed and shot by Laura Kidd at The Carousel, Nottingham, and edited in The Launchpad. Additional filming and warm support by Tim Bailey.
SONG CREDITS Written, produced, performed, and recorded by Laura Kidd in The Launchpad, Nottingham. Piano by Jay Chakravorty. Drums by Max Saidi. Mixed by Chris Sheldon. Mastered by Katie Tavini.
HUGEST THANKS to The Correspondent’s Club. I can’t do this without you xxx
LYRICS
When did the light fade out of your eyes? When did the life drain out of mine? Now when the storm comes I’m ready to run How do you explain what we’ve become?
Just wait Don’t leave yet Don’t second guess
I’m not the life of the party I’m the light, I’m the light, I’m the light
I dream of a birthday – on my birthday Chocolate cake in my hands – don’t take my hand The gentlest fiction for my crash land
It shouldn’t surprise me – you surprise me The mess that we’re in – this mess we’re in Cos if it’s not raining it’s threatening – is threatening
Don’t leave You’re never known me Just listen
I’m not the life of the party I’m the light, I’m the light, I’m the light
Where did the love go out of your kiss? Why does it always come back to this?
I’m not the life of the party I’m the light, I’m the light I’m not the life of the party I’m the light, I’m the light I’m not the life of the party I’m the light, I’m the light I’m the light
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
It’s two years since my collaboration album “One In A Thousand” topped the Official UK Independent Albums Chart, and I have something to tell you.
Something strange and magical happens when people come together to make music. There’s an unexplainable connection that means the songs written could never have existed without exactly those people being involved, at exactly that time and in exactly that way.
That’s what Obey Robots is. And here’s what we made.
How it happened
I’ve been a solo artist since 2010, with my sixth album due out six weeks today. After playing in lots of bands as a teen and in my 20’s, I decided I wanted to explore my own inner world without compromising with multiple other people, and it’s been a really fun creative adventure.
In 2019 Rat (the guitarist from Ned’s Atomic Dustbin) came across the video for my song “Drown Me Out” on YouTube. He was spending some time recording his guitar ideas with Miles Hunt of The Wonder Stuff, and asked Miles if he’d heard of me. “She’s a friend”1, M replied, before introducing us by email.
As you can imagine, I was beyond delighted to discover that the songs I’d been putting out into the world since 2010 had impressed one of my favourite guitarists. We decided to see what we could make together and, building on his brilliant source material, I wrote and produced the songs that became “One In A Thousand”, emailing each new finished section to Rat over email to ever more enthusiastic responses.
Fun fact: I’ll never forget cutting up the “Porcupine” guitar riff, layering instruments and vocals to make a spiky song and then completely forgetting to send it to Rat for a few weeks. But it was worth the wait
How it went
Every time I finish an album I hope that it will go and do *something* in the world, but I never know what that *something* will be.
“One In A Thousand” was the first time I totally gave up on trying to get reviews and radio play, because I knew that talking directly to music fans was all I was interested in spending my energy on. And after his major label experiences, I know Rat was excited by the DIY nature of the way I’ve been doing things since first sharing my music online in 2009. He was fully on board, and I worked very hard with the release to make sure his trust in me was not misplaced!
I hoped “One In A Thousand” would have an impact, but we could never have predicted the warm wave of support that we received. October 2022 to March 2023 was a very exciting time, and that’s all down to the generous support of music fans.
Our totally independently produced and released record went to #14 in the Official UK Albums Chart and #1 in the Official Independent Albums Chart – and we have the trophies to prove it.
What the heck?!!! THANK YOU SO MUCH
So, what’s next?
Every time someone asks when the next Obey Robots album is coming out, or when we’re going to tour, it’s a huge compliment. Thank you.
It feels like the right moment to say that neither of these things are currently happening. We never planned to tour, and we never planned to start a band.
Rat is developing some music with another collaborator, which I’m excited to cheer on from the sidelines, and as you may have picked up from this post, my whole life is about making albums into the long-distant future.
We both hope “One In A Thousand” continues to find its audience into the future. I’m so proud of what we made. Massive thanks always to Milo for putting us in touch, and to Rat for the YouTube binge that brought us together, and the wonderful guitar demos!
I met Miles in 2011 after a gig where I sang backing vocals for another musical hero, Carina Round. A real pinch-me-am-I-dreaming? moment. He and Erica Nockalls took a copy of my debut album home and have stayed in touch ever since. They say never meet your heroes, but some of them are absolutely wonderful humans. ↩︎
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
July 2024. An attic in Nottingham, UK. I’m way overdue recording my album, and I’m feeling determined.
One afternoon, in the middle of working out guitars parts for a song called “In The Light Sometimes”, a new picked pattern emerges. I feel a surge of energy. I’m excited.
Is this a new song, or just a distraction?
Years ago I heard Neil Young talk on a podcast about how when a song idea presents itself, you should drop everything and work on it. I remember scoffing at the time – easy for you to say, I thought.
I’m literally sitting at my computer with my guitar in my hand, time set aside to create a new collection of songs.
As my favourite quote goes, “Inspiration finds you working” (thanks, Picasso).
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
I had a wobble on Monday, halfway through editing this new video. If only I looked cool, or could dance, or had a team of professionals sorting out interesting outfits and dramatic lighting, or [insert any number of random, out-of-reach expensive items here]…if only I could just do more to send my songs out into the world.
What do I mean by more, exactly?
Every time I make something new there’s the possibility of infinite reward when I share it online. Hundreds of views could turn into thousands, or tens of thousands. If I pick the right thumbnail, or learn exactly how the algorithms work on every platform, or say exactly the right thing at the right moment, the music I care so much about sharing could leap forth from my laptop and become a beloved fixture in the lives of music fans around the world.
The possibilities are tremendously exciting, potentially life-changing. Less grind, less hustle. Money in the bank. A slightly easier life?
I try to stay positive, without setting myself up for too much of a fall. If/when I don’t get 100K views in 5 minutes (!), I have to be okay with that. I have to be able to keep going.
I’ve done this for long enough to know that simply getting to keep doing it is the real goal.
And it’s certainly not just about finding new people to listen. My “big” mailing list has around 9000 subscribers, and my Substack list has around 200, and sometimes it feels just as difficult to successfully invite these people to click “play”.
That’s ok. It’s humbling. You have your own, way more important, stuff going on.
Just know that, even when I doubt myself, I will keep trying. Even when I receive nasty comments and unpleasant emails (and oh, I do), I will keep sharing music, sharing videos and sharing my words.
Every time I make a collection of songs I put everything on the line to create the best experiences I can for music fans.
You are never obliged, but you are always invited.
My new video cost around £200 to make: studio hire, two costumes, props and lunch. I did my own hair and makeup, set up my own shots and didn’t try to look cool or try to dance. The only other human involved was my lovely husband Tim, who helped with the moving shots and tightened the legs of my inflatable costume to stop everything from going floppy.
Talk about infinite reward: I got to spend a Tuesday being silly with my favourite person making something to make you smile.
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
It could have been so great. They could have been heroes. But no. The internet made us disconnected, but they’re on another planet.
Maybe it was always like this, only now we can tune in at any time of day and hear the details. We watch, open-mouthed, as they get away with it. Criminal activity, noxious views, obscene gestures – anything goes when you have all the money in the world and a platform to spew from.
Living in a permanent state of cognitive dissonance is exhausting. Let’s disobey, let off steam, take care of each other and never, ever, give up.
VIDEO CREDITS Directed and shot by Laura Kidd at The Createry, Nottingham, edited in The Launchpad. Additional filming and alien wrangling by Tim Bailey.
SONG CREDITS Written, produced, performed, and recorded by Laura Kidd in The Launchpad, Nottingham. Drums by Max Saidi. Mixed by Chris Sheldon. Mastered by Katie Tavini.
HUGEST THANKS to The Correspondent’s Club. I can’t do this without you xxx
LYRICS
Spaceman Floating in your tin can Furious at everyone Will you go straight for the gun? Coulda woulda shoulda done Still you go Straight for the gun
Are we ecstatic or just numb? Pushing through the bodies as we run Boil the water slowly so we forget to scream Pick out the wrong side So we can just fight
Spacequeen Louder than you should have been Blowing it to smithereens Still you go Straight for the gun “Unbelievable scenes” Cos you go Straight for the gun
Are we ecstatic or just numb? Pushing through the bodies as we run Boil the water slowly so we forget to scream Pick out the wrong side So we can just fight
It’s too late Let your lies drag you under Tell me what you want now Can you tell me? Tell me what you want now You’ve got nothing to say anyway Tell me what you want now It’s all so strange, strange, strange Tell me what you want now You’ve got nothing to say Nothing to say Nothing to say
Spaceman Could have been the biggest bang But you go Straight for the gun Are we ecstatic or just numb? Pushing through the bodies as we run Boil the water slowly so we forget to scream
Pick out the wrong side So we can just fight Pick out the wrong side So we can just fight Pick out the wrong side So we can just fight
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
Her Grammy acceptance speech showed up in my feed, so I looked her up. I read she’d risen to prominence after creating YouTube vlogs during the pandemic, so I went to her channel and tried to find her earliest video. My internet was being weird and just showed me this one.
She talks into her laptop, eating crisps, saying she’s just been fired from her job and she doesn’t care. She says she’s going to try and get an internship at a record label.
It’s not an interesting video on its own. She gives no context and no details. There’s no resolution, no takeaway. If you don’t know her, and you’re in an impatient mood, you’d likely shrug and say “and…?”
But that’s not the point – she wasn’t trying to “do” YouTube, she was documenting a real moment in her life, in real-time.
Five years on, Doechii has won a Grammy for best rap album, plus two MTV Video Music Awards, a BET Award, two Soul Train Music Awards and the Rising Star Award from Billboard Women in Music.
Five hours on from watching her video, I’d seen it pop up another 10 times around the internet.
Weird.
Two nights ago, I started reading “Manifest” by Roxie Nafousi, a cheerful orange hardback that’s been sitting on my To Read pile for a year. For whatever reason, it felt like the right moment to start making some changes. I read about the science of it, the quantum physics theory that we attract the energy we put out into the world. We have control over that – we can choose to vibrate at a higher frequency, to attract higher frequency things. We decide what we want to do, we put the work in, we vibrate.
Interesting.
Last night I dipped into my blog archives to try and find something well-written and timeless to share with you today1. At random I picked out a piece I wrote in 2020.
Inspired by a podcast chat I’d had with comedian Bec Hill2, I wrote about the need to zoom out from your current busy day-to-day work life to set goals beyond the old-you dream you’re currently maintaining.
A few months after our conversation was published, Bec was announced as the host of a new kids’ TV crafting show. It didn’t happen to her out of the blue – this is something she had decided she wanted, and had aimed her efforts towards. She was absolutely perfect for it, and did a great job.
Did I pick that blog post out because I’d already started vibrating at a higher frequency? (I didn’t see the date til I’d re-read the whole thing.)
Is that also why I suddenly heard about Doechii and found that particular video of hers from 5 years ago? (I don’t usually read up on the latest music news.)
Five years is a good block of time to measure things by.
In five years, Doechii went from being fired from a job she didn’t care about to winning a Grammy. (I look forward to learning more about that journey.)
Five years ago, I had recently ended my solo music project of 15 years to launch a new one, Penfriend, in May 2020. I was living in Bristol, recording music by myself in a colourful attic room. A pandemic was right around the corner. I’d started running twice a week, and was making my third and final bid to complete the famous Julia Cameron book “The Artist’s Way” (I did it!). I’d made a list of ways I wanted to change my life in this fresh new decade, and I was taking positive steps every day.
In February 2025, I’m working out of a different colourful attic studio in Nottingham. I’m still doing my thing, maintaining my 5-years-ago-me dream. And what a gift! It’s still one of my current-me dreams, but I know that I’ve put any future-me dreams on hold to keep the wheels turning.
It’s time to start making some new plans. It’s time to dream big again.
When violent, racist narcissists are causing chaos on the world stage, hurting people every day with their actions, it feels ridiculous to write about manifesting. When genocide is ignored, when our bodily autonomy is in the hands of powerful men, when trans rights are being erased, when tech bros have WAY too much influence and N*zi salutes go unpunished, it can feel redundant to focus on my own supposed day-to-day problems, let alone my future plans and dreams. What do I matter in all of this?
I’ll never forget a post I saw a few years ago that read: “It’s not manifesting: it’s white privilege”.
I’ll carry that reminder with me. It’s important to check ourselves.
But I’m still going to dream big, because I exist too, and I can be more helpful to everyone when I’m vibrating at a higher frequency.
I’m thankful for the life I manifested through my previous actions, thankful for those who make this possible by supporting independent music, and thankful to inspirational figures like Doechii, Roxie and Bec for reminding me that the future is full of possibility.
Where were you 5 years ago? Where do you want to be 5 years from now?
Let’s dream big together. Let’s take care of each other.
I failed. I found two fatal flaws with my idea of sharing that older piece with you:
1) It contains a paragraph about a recently disgraced author which is central to the point I’m making, and he can absolutely do one.
2) I’d somehow confused the words “infinite” and “infinitesimal”, which are basically opposites, and the sting of embarrassment is too fresh in my mind to consider reposting it.
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
Join The Correspondent’s Clubon Patreon to receive quarterly bundles of art and members-only music plus extra perks + immediate access to my entire digital archive (digital and analogue memberships available)
What to do when everyone doesn’t love you on the internet
Dear fellow artist and interested internet person, I am here to coin a new phrase.
Allow me to introduce the HUUIG aka the Hitherto-Unknown, Unfriendly Internet Gentleman. Not to be confused with a New Fan Of Your Work (NFOYW), this esteemed surfer of the internet superhighway is usually brand new to you, choosing to show up in your life for the very first time sounding something like this:
We all know that when we share ourselves on the internet: in words, photos, daubs on a page or, in my case, music and video, we’re opening a can of worms and inviting them to crawl all over us and our painfully exposed vulnerabilities.
Some of these “worms”2 are delighted to hear from us, thrilled to stumble across meaningful work that speaks to them, speaks for them, heals them, brightens their day or, at the very least, provides respite from yet another fucking Temu3 ad.
I regret calling these people “worms”, even though it’s a clever metaphor, because they are the ones who keep the wheels turning. I wouldn’t have a job without them. They might be YOU. Thank you!
You’re a name, not a worm-ber.
Receiving positive messages about your work is life-affirming and galvanising.
“My work will find its audience”, you tell yourself with relief, while still trying to figure out exactly how many vertical clips and text-based social media posts will make you feel you’ve done enough to send your offering into the world with the best possible chance4.
Unfortunately, alongside enjoying interactions with these kind, generous and encouraging patrons of the arts, we are forced to bear witness to a whole bunch of nonsense from people who I’m far less sorry to refer to as worms (though this is very much still a metaphor). Rude, rude worms.
Because, you see, what you made doesn’t suit them exactly. The snare sound you carefully chose for your song5 that you wrote and recorded yourself in your attic home studio during yet another pandemic lockdown isn’t the one they would have chosen had they had the wherewithal to make that exact song, so you are wrong, friend, and they are not going to let it go!
Or, obviously, you’re a “tattooed slut” because…you have tattoos and are a woman sharing your wholesome, bike-riding music video with the world?6
Um.
In this case, I am the lowest of the low because I used the word “motherfucker” twice. Fucking hell. The absolute cheek!
In a song about escaping from a potentially murderous ex-boyfriend, written to share my experience in a bid to put words to other peoples’ perhaps-hidden experiences of the same or worse, written because that’s the song that wanted to be written that day and it turned into a bona fide banger7, I both swore and showed (justified) anger.
It’s just the truth. So fucking sue me!
In 88 songs spread over seven albums and some stand-alone singles I have sworn a total of 8 times. I stand by every single fuck, fucking, shit and motherfucker. I chose to put those words in those songs because that’s where they had to go.
Oh, and because artists can and should do whatever the hell they want in their work8, because that’s what art is. Please remember this above all other things.
To answer an inevitable question: yes, of course I read the comments. I want to see what impact my work has on other humans. Also, I work alone. Who else is meant to read them9?
It’s annoying, because I share things on the internet in search of actual human connection. I’m not hunting digital applause, requesting smoke be blown up my arse10 or hankering for a viral moment. Please PLEASE no.
It’s a shame that when I see a Facebook notification I automatically cringe, assuming it’s going to be something awful, because that’s the platform where I usually get the bad stuff11.
However, in my experience, these people usually only pop out of the woodwormwork when prompted by:
– an album release: I always get a shitty email from a HUUIG12 on album release day, either to tell me I suck or that I stole an idea off them –
OR
– a paid ad (how very dare you try to get your heartfelt, handcrafted work into the hands of the people! What are you, someone who needs to eat?!!!)
OR, probably
– great success and massively increased exposure. I have no experience of this.
Because I am a very lucky person, last week I got not one but TWO freebies.
Part 2:
Oh, how I laughed and laughed. 5 years ago I can’t honestly say I’d have been amused at this exchange, but I like to think I’ve grown up a lot in that time. Quoting God/Jesus/etc back at him was not in any way a childish thing to do.
There was a time when an email or comment from someone criticising me and/or what I had dared to share would make me furious: not because they didn’t like me, but because they thought it was okay to go out of their way to interrupt my day to tell me. I would take time to reply, incredibly politely, letting them know I’m a real life human being – not a team of people or robots – and reminding them that not everything in the world is made for them. I wanted them to rethink their approach and stop bothering people who are just trying their best in the world.
But, strangely, after making all that effort to get my attention, none of them ever wrote back. And I thought they wanted to be friends!
I stopped doing this when I decided to spend that energy on the people who love what I do.
In 2025, with a new single coming out every month up to the release of my new album “House Of Stories” in April, I definitely don’t have time for this shit13.
Here’s my current thinking on neggy comments from HUUIGs14. I hope it helps.
It’s unrealistic to think that everyone who comes across your stuff online is going to love it and gush at you about it, and honestly wouldn’t that be WEIRD? I would have a hard time trusting myself or anyone else without some sort of resistance.
We set ourselves up for avoidable stress and upset if we don’t account for, say, 5-10% of all comments we receive online being irritating or downright rude.
Personally, when I dislike something I just keep on scrolling or, ideally, turn my stupid phone off and do what I’d planned to be doing which is usually making stuff15. Others are not so strong.
Others don’t have the lives they want, or are in a sad or bad mood, or just broke up with someone, or have been poisoned by social media into binary thinking so if they don’t like something they go straight to HATE and simply have to tell you all about it. Some people are autistic, and come across in a far more blunt way than they intend. Some people have severe mental health issues and I genuinely hope they have the help they need.
Unfortunately, every comment and message looks basically the same in our homogenised online world. There’s no way of knowing what situation the sender is in, mentally or physically. And that’s good, because I don’t need to know you’re on the loo writing me a message, whether it’s a nice one or a nasty one. But it’s also bad, because if you could tell the difference between someone being nasty to you because they’re a hateful person and someone writing unkind things because they really need some help, you could choose to respond in different ways, or not at all.
I want to live in a world where the segment of people who are just plain hateful keyboard warrior arsehole pricks is a very small segment. A tiny segment of tiny pricks. Except they’re not tiny are they, they’re HUUIG16!
I want to believe that most people are decent, and would be, if not gushingly enthusiastic of my work, reasonably supportive of my general right to make and share it without receiving neggy messages sent direct to my eyeballs.
However, I spent 5 years working as a part-time comment moderator for The Guardian UK website, and grew skeptical of the value of online comments on most platforms. Not yours, of course, and not here. You’re great!
I’m not telling you any of this to justify myself to Bob my latest HUUIG17. I’m telling you this to remind you that YOU don’t have to justify yourself to Bob any HUUIG18 (or, fine, HUUIP19 – though in my experience they’re always G’s) who decides to send a comment death ray your way.
You’re here, and we need you and your work. So, somehow, you have to find a way to laugh it off, to file it in the metaphorical bin (hide/delete comments, mute/block people), and/or to use it as material for a piece of writing that might hopefully help someone else find a way to laugh it off, file it in the metaphorical bin, or use it as material for a piece of…
Yes. We can do this! We can follow our creative energy, turn lemons into lemonade and transform attacks on our disrespectful vulgar crude filthy foul mouth into something beautiful.
That’s exactly what I did with my new single “Emotional Tourist” aka the “motherfucker” song, and OH THE IRONY of receiving a list of the things someone doesn’t like about me:
My new Penfriend album “House Of Stories” is available to order NOW on super limited vinyl, CDs and KiT hybrid digital albums, with accompanying tees, hoodies and books. Get two songs in your inbox immediately, with another every month til the release date in April (before anyone else).
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I recommend Seth’s Social Media Escape Club as an antidote to these crazy-making thoughts, while admitting I succumb to them often. I make next-to-zero vertical clips because this line of thinking makes me seize up entirely and get six hours behind on my already ambitious task list for the day, and it’s always better to put any energy I can muster into writing pieces like this, emailing my lovely subscribers or doing almost anything else.
Yesterday I was weak, and I commented on a company’s Instagram reel about how they should have hired a person to do the voiceover instead of shitty AI. I’m not perfect, but I am right.