The eighth edition of The Correspondent’s Club quarterly music and zine bundle was created in August 2022. I reworked three songs from “Exotic Monsters” for a collection provisionally titled “from The Upside Down”.
The only way to get access to future Correspondent’s Club releases is to become a member – browse member perks here.
Track listing:
1. Dispensable Body 2. Loving Echoes 3. Long Shadows
In April 2022 I spent a week in the Setubal area of Portugal, travelling up to my beloved Lisbon for several day trips. One breakfast time, after reading about the cavaquinho, an ancestor of the ukulele, I decided to go on a musical treasure hunt to find an instrument to play my song “Seashaken” on – by the sea.
The fifth and sixth editions of The Correspondent’s Club quarterly music and zine bundle were released together in December 2021, comprising two zines and one CD.
The only way to get access to future Correspondent’s Club releases is to become a member – browse member perks here.
Track listing:
1. This Is The Sound (Battery Thinkers cover) – read more here 2. The Argonauts 3. My Battery Is Low And It’s Getting Dark (instrumental) 4. BASSFACE (instrumental) 5. Hotel Song 6. Seashaken with a little cold
Preview track: “This Is The Sound (Battery Thinkers cover)
The fourth edition of The Correspondent’s Club quarterly music and zine bundle, created in July 2021.
An exclusive “Exotic Monsters” album commentary, made just for you x
The only way to get access to future Correspondent’s Club releases is to become a member – browse member perks here.
Track listing:
1. Intro 2. Exotic Monsters 3. Seventeen 4. I Used To Know Everything 5. Dispensable Body 6. Seashaken 7. Loving Echoes 8. I’ll Start A Fire 9. Cancel Your Hopes 10. Long Shadows 11. Out Of The Blue 12. Black Car 13. Thank you xo
“I’ll Start A Fire” is a song about causing a ruckus even while everything is going wrong, cutting bad connections and ignoring all the noise in order to be free and express ourselves honestly. Taking whatever personal power we still have and making something with it, stopping ourselves from stopping ourselves.
As soon as I’ve decided I’ve got all the songs lined up for an album, I can rely on one or two cheeky musical ideas to come along and demand my attention.
“I’ll Start A Fire” was the first of two songs I wrote in September 2020 that jostled for a space on the record (the second was “Black Car”), and I’m so glad they did.
Giving yourself permission to be you can be one of the hardest things, and has really been a process for me, but it’s brought great joy and fulfilment to my life in recent years. I highly recommend giving it a try.
CREDITS
Written, produced, performed and recorded by Laura Kidd at The Launchpad, Bristol. Drums by Max Saidi. Mixed by Dan Austin. Mastered by Katie Tavini. Artwork by Alex Tillbrook, concept by Laura Kidd.
LYRICS
I stole a car in a dream And now I’m feeling paranoid Well I spent so long ignoring my instincts Now I’m searching to destroy
I’ll start a fire while the world burns I’ll start a fire, I’ll start a fire
So I sink these heavy words in a diary And take them all to heart Gonna build myself a fortress of vanity And then I’ll fall apart
I’ll start a fire while the world burns I’ll cut connections while the planet turns I’ll start a fire cos it seems we’re elbow deep In cheap banalities I’ll start a fire, I’ll start a fire
I’ll start a fire while the world burns I’ll cut connections while the planet turns I’ll start a fire cos it seems we’re elbow deep In cheap banalities I’ll start a fire, I’ll start a fire
THANK YOU for visiting my website!I’m Laura Kidd, a music producer, songwriter and podcaster based in Bristol, UK. It’s great to meet you.
“Cavernous as its darkly-elliptical tale unfolds, “Seventeen” careens with compassion” – The Autumn Roses
“An enormous pop-rock anthem with a heart-throttlingly poignant story [by] Penfriend aka singer/songwriter/producer/genius example of how to do independent musicianship right, Laura Kidd” – Loud Women (single of the week)
ABOUT THE SONG
Seventeen. Is there a more complicated age? Not quite yet an adult, but impatient to be treated like one; navigating an avalanche of new experiences and urgent emotions, dismissed by the grownups as “teenage angst” or “just a phase”. An exhausting quest to negotiate a new space for ourselves, juggling the interests of parents, teachers and friends while not knowing to question their motives.
This song is an excavation, a letting go, an act of self-forgiveness.
Traumatic events from the past can feel just as fresh, years later, the ghosts of our former selves creeping up to tap us on the shoulder with icy fingers.
Sometimes we need to package up our memories with tidy words to dispel the haunting.
Sometimes we just need to stop blaming ourselves.
Sometimes writing songs is like painstakingly sculpting sounds from thin air; other times they arrive in a whoosh, fighting to be heard. “Seventeen” appeared on a summer Saturday evening, falling out of me in jagged swathes.
Facing up to our ghosts isn’t a pleasant experience, but this song helped me over a major stumbling block from my past, bringing me a fresh perspective and new freedom.
CREDITS
Written, produced, performed and recorded by Laura Kidd at The Launchpad, Bristol. Drums by Max Saidi. Piano arranged by Laura Kidd, performed and recorded by Catherine Anne Davies. Mixed by Dan Austin. Mastered by Katie Tavini. Artwork by Alex Tillbrook, concept by Laura Kidd.
LYRICS
Happy birthday, time to say goodbye Such a big girl, keep all this inside Dial back those dreams Wishing impossible things Bursting your seams It hurts when we grow
Tell me what you wanted I was seventeen Tell me I deserved it Because I was seventeen
Toxic teens on mixtape afternoons Photostatic memories of you Fold paper planes Pull them apart when it rains Smash windowpanes Stretching our wings alone
Tell me what you wanted I was seventeen Tell me I deserved it I was seventeen Tell me it was all my fault I was seventeen Tell me you remember
Tell me what you wanted I was seventeen Tell me I deserved it I was seventeen Give me a good reason I was seventeen Tell me you’re so sorry I was seventeen
+ I make a podcast called “Attention Engineer”, where I speak to fellow artists about creativity, grit and determination. Visit this page to find out more.
The second song from Obey Robots, my collaboration project with Rat (Ned’s Atomic Dustbin), “Inside Out” started off as a shimmering acoustic guitar idea that Rat demoed and saved in a folder he called “Maybe send to Laura”. I’m very glad he did send it to me! After sharing the punchy riffs of “Let It Snow” with you at the end of 2020, we wanted to conjure a different mood, so I encouraged Rat to layer up the guitars while I went off to write the melody, lyrics and cello parts.
This song is about dealing with the new groundhog-day-normal many of us have been experiencing for the past year: the highs, mediums and lows of a life made much smaller by circumstance. Ravelling and unravelling at different speeds to those around us, perhaps: trying to feel a semblance of forward motion; trying to remember what the point is. Deciding to keep hoping.
With musicians having to wait for in-person work to be possible again, it felt like the right time to get back in touch with my A-Level Music pal David Lale, who has played for the London Philharmonic Orchestra for the past 8 years. I always knew he’d go far!
David played the parts beautifully, of course, and added some extra touches in the instrumental to take it to new heights. It was a lovely opportunity to work together for the first time since we arranged Green Day’s “Good Riddance (Time Of Your Life)” for a school concert back in the day. Thank you, David.
Fun fact: the original working title of this song was “Spider_Capo”. Rat, ever the fan of using different tunings but lacking the will to actually tune his guitars alternately, clearly needed to get a new toy. A novice attempt at using the spider capo (a piece of equipment strongly resembling a torture device) resulted in the basic melodic chords being written for the song that would become “Inside Out”.
CREDITS
Written by Pring / Kidd. Produced by Laura Kidd. Mixed by Dan Austin. Mastered by Katie Tavini. Guitar performed and recorded by Rat. Cello arrangement by Laura Kidd. Cello performed and recorded by David Lale.
+ New episodes of my music podcast “Attention Engineer” are released every Wednesday – visit this page to find out more and subscribe via your favourite podcast platform.
Release date: 26th March 2021 Label: My Big Sister Recordings
ABOUT THE SONG
“Black Car” is a song about love and death, guilt and gratitude, taking time to figure out what’s most important, feeling desperately sad and isolated and grieving the loss of so many. Dealing with anger and frustration at the UK government for making so many missteps. Trying to keep on keeping on, while finding it hard to see a way out of this, however many “roadmaps” are announced. Accepting – and feeling – our feelings.
“That this single release marks the first anniversary of the first UK lockdown is an accident, but sometimes things just fall into place like that when we focus on what’s important to us. Throughout this loneliest of years, I’ve tried to keep connected to humanity through making and releasing new music, podcast episodes and my weekly emails, doing what I can to create pinpoints of light in dark times. With all the gratitude in the world, I have to remind myself it’s still ok to feel wounded by what’s been going on and to feel scared about what’s to come. We will all be changed by this experience, and at the root of everything is the love we have for others.”
I don’t know what other bands “Black Car” sounds like, or have any clever phrases lined up to entreat you to click “play”. This is an honest, melancholy song about a universal experience that will be discussed in the history books of the future, guitars and synths centred around a heady electronic heartbeat, with a reverent Kurt Vonnegut reference (“loving echoes”) in the middle.
Keep your loved ones close x
CREDITS
Written, produced, performed and recorded by Laura Kidd at The Launchpad, Bristol. Mixed by Dan Austin. Mastered by Katie Tavini. Artwork by Alex Tillbrook, concept by Laura Kidd.
LYRICS
Remember the summer when everyone stayed at home? Ships in a bottle, stacked up with our lives on hold
If we could really see the warnings that were written before If we could really feel Our hearts would smash all over the floor
Hear me now, I can feel the thunder March me out with the fallen number Will there be – is there a black car waiting for me? Keep your loved ones close
This is surviving, but we’re having a god damn year Tired of climbing, but the universe left us here
And on my worst of days I want to keep wanting to be kind But everywhere I see machines are taking over our minds
Hear me now, I can feel the thunder March me out with the fallen number Will there be – is there a black car waiting for me? Keep your loved ones close
Keep your loved ones close Even on calm waters, waves will rise As my heart explodes Loving echoes dancing in my eyes
Keep your loved ones close Keep your loves ones close Keep your loved ones close
Hear me now, I can feel the thunder March me out with the fallen number Will there be – is there a black car waiting?
Hear me now, I can feel the thunder March me out with the fallen number Will there be – Is there a black car waiting for me?